Wednesday, July 24, 2013

Letter to students

Dear students,

As your teacher, my goal is to help you to prepare for success in life. Wherever you go in the future, you will at some point be faced with a task in which literacy will be required. You'll have to write a cover letter for almost any job you apply for. Unless you have a lot of loose change, you'll have to read tax forms and fill them out. You might want to find out about about the best place to go on your next vacation. You can show your appreciation for a gift through thank you notes. These are examples of literacy needed in daily life. Studying English helps you prepare for these, but it does a lot more.

Literacy in the study of English is no easy feat. There are an enormous variety of genres to deal with: poetry, non-fiction, essays, novels, short stories, poetry, plays, and journalistic works. Each of these must be approached in a different way if you want to understand them. In literature an author frequently doesn't tell you everything straight up, so you have to be able to sense their tone. For example, if you read Jonathan Swift's “A Modest Proposal” without being able to recognize satire, you might think that this brilliant author was actually a lunatic trying to convince Irish people to eat their own children! To be able to recognize tone like this, you must develop your literacy skills.

Studying English can help you increase your writing skills so that you might not have to send out a hundred and two emails to your coworkers before they finally understand what you're talking about. Through literature you can be exposed to a variety of cultures and experiences that might spark a lifelong interest or a travel dream for you—maybe after reading The Spire you'll be struck with a desire to visit the incredible Salisbury cathedral in England.


I don't want English to be just a school subject for you. Find books that you enjoy or are interesting. Talk about them with other people. Reading can be difficult sometimes, but you can get better at it, and if you work at it by improving your literacy skills then it will be worth it. Literature can change your life!

Tuesday, July 2, 2013

Top Ten Strategies

  1. Mapping refers to the use of the visual organization of ideas. It is most appropriate to help process knowledge or to review. The graphical representation can help struggling readers engage a text or concept and better remember it. In English it can be used to better understand relationships or similarities and differences between characters or words. For example, “simile” and “metaphor” are two often confused literary terms. While teaching I would show the students a couple examples of each. The students could then draw Venn diagrams for the two terms and compare their work in small groups, discussing discrepancies.


  2. Exit slips are a brief writing exercise taking place in the last minutes of a lesson that respond to the content of that lesson. They can function in a variety of ways, but to me they seem most suitable for informal assessment which points out areas of uncertainty in a student's understanding. While taking little time, it provides an opportunity for the students to take control of their own learning.

    In my classroom I would probably use it as follows: in the last three minutes I would pass out notes for the students to write on. I would then give them 90 seconds to think of something that they didn't understand or wanted to discuss more concerning the class or the previously assigned reading, and write it down. If at the end of 90 seconds they still had not thought of anything, they could write something that they found particularly interesting about the class. I would look over these notes after school and use them to adjust the next day's lesson by addressing their concerns or interests, if it seemed valuable or necessary.


  3. The strategy of written conversation involves having the students pass curriculum-themed notes to partners based on a topic of focus given by the teacher. It is appropriate in most situations where group discussion would be considered advantageous, but particularly when the discussion could be related to the students' lives. Depending on the topic, it can strengthen reading comprehension and/or critical reading. It has the advantage of being in a form accessible and possibly engaging to students, that of note passing.

    I might use this strategy as a way to solidify the assigned reading through the students reminding each other of details and exploring possibilities. For example, if the assigned reading was from A Passage to India, I might ask the students to talk about what they would do to avoid or correct the misunderstandings that happened during the trip to the Marabar caves.


  4. An Anticipation Guide requires students to express their opinions about ideas about life by responding to a statement with true or false (or perhaps on a scale) before reading a text. While reading the text the students should make notes about the statements in the guide as they relate to the reading. After reading, the students will reconsider their original responses. All of these steps can be accompanied with discussion. This strategy seems most appropriate for use with a text having clear narrative. It fosters critical reading and comprehension by encouraging students to consider their views in contrast with those of the text.

  5. To me this strategy seems like it would be even more helpful if used over the course of a unit. The anticipation guide would address topics relevant to several of the texts in the unit, and after each text, students could write notes about how their perceptions changed. I think this would help give the unit even more coherence, though I am a little concerned about keeping the experience fresh and interesting.


  6. Probable Passage is a strategy for helping readers to predict while reading. With a list of words, students try to predict the roles that the words will play in what they read and think about how they could fit together in a coherent whole. Probable Passages can lead to discussion after reading the text through comparison of the readers' predictions and the actual text. This strategy helps struggling readers develop the ability to predict. It can be utilized before the reading of any text in which one can form appropriate roles for the words. It seems that the strategy is beneficial in direct relation to the challenge that the text presents.

    I think this strategy would be especially useful for understanding poems, a medium in which attention to each word should be rewarding. I would select some especially important words from the poem and put them on the page, and the students would work in groups of twos or threes to assign a role to these words. I might use roles such as speaker, speaker's mood, setting, other people, problem, and unknown words. After assigning the words and possibly writing a brief interpretation of the words in their roles, students would read the poem and compare it with their predictions.
  7. Teacher-Student Correspondence presents the students with the opportunity to communicate with the teacher about a variety of different things. This correspondence can take place as often as the teacher can handle it, but the Daniels book recommends that it happen twice per class. Students write letters to the teacher responding to the questions that the teacher asks, probably relevant to the student's interest, progress in or feelings about the course, misunderstandings, or possibly personal issues. This can provide the teacher with a very subjective form of assessment, but can also reach diverse learners and cultures by giving them a voice to express their interests.
  8. Questioning the Author is a strategy in which the students consider the viewpoint of the author in comparison with other viewpoints. Some of the questions used for this would be variations on “What is the author trying to say? How do you feel about this?” These questions invite students to transcend the limitations of the author's view and read critically. This strategy can be used during or after reading a text.
  9. KWL stands for “what do you Know, what do you Want to know, and what did you Learn”. Before reading a text, students make a list about what they know relative to a given topic. They then make a list based on the first about what they want to know concerning this topic. After reading, the students review with a list of what they learned about this topic, especially in response to their second list. In pre-reading it is designed to help reading comprehension, and in post-reading it helps retention and assesses to some extent. By considering these questions before reading, students have more solid goals while actually reading, and having connections to their prior knowledge increases interest and helps them retain information. Post-reading, the list reviews their knowledge and gives a sense of accomplishment.

    In an English classroom, I think this strategy would be most fruitful a little ways into a novel, particularly a confusing one like The Sound and the Fury. It might also be helpful at the beginning and end of a unit study. In the case of a novel, the topic discussed would probably need to be limited to a significant character so that the list doesn't become too large and scattered.  

  10. A double entry journal requires the students to take notes on the text on one half of a sheet of paper and then on the other half respond to their notes by writing their thoughts. It should be very profitable with any text, although students might find it more gratifying when used with a text that provokes a lot of reader response, such as a persuasive essay. This strategy gives the students an incentive to understand the text by requiring notes, thus building reading comprehension. It also builds critical reading skills by inciting students to think about and challenge the text. Finally, if the product is turned in it can function as an excellent evaluation of students' skills and engagement with the text.

    If I were to use this strategy in an essay, I would have the students read the essay first in class with the idea of answering a question about the general purpose of the essay. Before releasing them that day I would model the strategy of the double entry journal and assign it as homework. The students would then reread the essay at home while filling out the double entry journal. They would turn these in for a significant homework grade.

  11. “Somebody wanted but so” is a way to organize the essential elements of a story. In some format (on a handout sheet for example) there are four columns at the top—one for each of these words. The students then fill in the blanks under the heading as they are relevant to the text in question. Texts that present a challenge to the student and have plots that are not easy to follow are most appropriate for this activity. The focus is on boiling down a story to its essential elements so that the story can be more understood. This strategy will typically involve groupwork, which can better engage those cultures which are accustomed to helping each other toward understanding such as Native American and Vietnamese.

    In the classroom I would probably tend to save this strategy for short stories. They are an especially good medium in which to use this as there won't be as many distracting details. For example, in the short story “Livvie”, the conflict is not explicitly stated. After rereading the story in class with a strategy like Say Something, I would have the students discuss the story with each other by trying to find the answers to each of the questions. The strategy could also work with films, novels, or even non-fiction. 

Top Ten Texts

1. Gaines, E. J. (1983). A Gathering of Old Men. New York: Knopf.
This novel set in Louisiana in the 1970s addresses the importance of community and problems of racial discrimination. A woman discovers a dead white man who has been shot in the yard of a black man named Mathu. Predicting a storm of outrage, she gathers many of the black men to help defend Mathu. Each of them claims to have been the one who killed the white man. The sheriff tries to find a solution that would minimize the ensuing conflict with the white Cajuns.

The novel shows how deeply ingrained racial discrimination can be, and would fit into a unit focusing on racial differences or specifically African-American literature. As most of the writing is dialogue and it has fairly short chapters, this novel would be more accessible to less proficient readers. It would be ideal for reading aloud, and perhaps some acting.  


2. Forster, E. M. (1952). A Passage to India. New York: Harcourt, Brace and Co.
The action of this novel takes place in India in the 1920s. The protagonists pursue friendship across cultural barriers. The British protagonists also seek to form an understanding of India. Yet cultural differences complicate both these aims. One crucial misunderstanding leads to a trial which forces into the open the undercurrent of tensions and preconceived notions present at the time. Through the trial and its aftermath, the friendships that had been formed are broken. When two of the protagonists meet years later, they understand each other better but also recognize the difficulty inherent in friendship across cultures.

E. M. Forster is one of the most important British novelists of the 20th century, and as such this novel would be a suitable addition to any study of British literature. As colonialism is a major concern of the book, it would also fit into a study about colonialism or any study about different cultures. The text explores many questions that are vital to a cross-cultural understanding, such as how misunderstandings happen, what is the nature of truth, and how do we approach truth. Discussions about how these questions are considered within the novel should draw out similar personal experiences of the students, and how one can respond to difficulties in communication.


3. Persepolis. Dir. Marjane Satrapi and Vincent Parronaud. The Kennedy/Marshall Company, 2007. DVD.
This is originally a graphic novel that was adapted into an animated film. It is an autobiographical account of the author's life growing up Tehran, Iran in the late 70s and 80s. Through a child's eyes the film portrays the political struggles of this era, such as the Iranian revolution and the Iran-Iraq war. Marjane, the child, and her family participate in acts that are illegal under the new Islamic fundamentalist regime, such as drinking alcohol and listening to Western music. As she grows older, Marjane becomes more outspoken in her resistance to the government, so her parents send her to Vienna. During these high school years she experiences prejudice against her nationality and thus lies about it. She returns to Iran eventually and resolves to stay true to her identity. However, Iran continues to stifle her, so after a couple of years she goes into exile again.

So many social issues are presented in this film that it can be incorporated into a variety of topic studies, including identity, racial discrimination, religion, and politics. Furthermore, the sections are fairly episodic, so in the classroom I can show any part of the film with only a little background information. The animation is lively and imaginative, so I think it will appeal to most students. Discussing the choices of Marjane and envisioning how her story might play out in America would benefit the students I think.


4. Potok, Chaim. My Name Is Asher Lev. New York: Knopf. 1972. Print.
Asher Lev is a Hassidic Jew who grows up in New York City. He wants to be an artist, but this aim goes contrary to his father's expectations for him. His mother is torn between the will of her husband and her son. Furthermore, because the tradition of Western art is so haunted by Christianity, there are certain barriers that the surrounding Jewish culture erects which prevent Asher from becoming a full artist. This novel shows Asher Lev's search for an identity that can reconcile his calling as an artist with his Jewishness.
I think the students would relate to this novel because many teenagers feel misunderstood by and at odds with their parents, just like Asher. This novel would elicit discussion about themes such as identity, cultural conflict, and family conflict.


5. Lambert, Mary, and Macklemore. "Same Love." By Macklemore and Ryan Lewis. The Heist. Macklemore & Ryan Lewis LLC, 2012. CD.
This is a hip hop song which presents some of the difficulties that homosexuals face and also mentions some stereotypes. It expresses dismay about the casual way that society uses some words (such as “gay”) and it attacks the organizations that hate homosexuality. The artist calls for progress and a change of heart because it's all the “same love.”
The song addresses the topics of stereotypes, religion, and identity. The main issue presented in this song will certainly be immediate to students of this day. I foresee that it will be difficult to generate two-sided discussion around this, as in my experience youth tend to be in full agreement with the sentiments expressed in this song. But I think focusing on more subtle ideas might elicit more debate, such as “Can stereotypes be true and how often if so? What other words do we use without thinking of the consequences?” The responses can then be linked to the main subject of the song.


6. Browning, Robert. "My Last Duchess." Browning's Complete Poetical Works. Cambridge: Riverside, 1895. 252. Print.
In “My Last Duchess”, the speaker discusses the painting of his most late wife. He complains about how she was “too soon made glad”. He finds her reverence toward him insufficient and thus commands her to stop smiling. At the end we learn that he is pursuing marriage with the daughter of the listener's master. He also proudly displays another piece of art in a similar fashion to the painting of his late wife, suggesting that they have equal value and that wives to him are something of an item to be collected.

This is the first text that truly showed me how much implicit information can be found in a poem. It, along with some other poems by Browning, demand a critical reading. One can't take what the speakers in the poems say at face value. Browning is a very important British poet of the 19th century and thus would fit in with any study of British literature. It would serve as a good introduction to a poetry study, because it would demonstrate clearly how the students need to look for implied information.


7. Keyes, Daniel. Flowers for Algernon,. New York: Harcourt, Brace & World, 1966. Print.
This relatively short novel tells the story of Charlie, a mentally disabled man. Charlie volunteers for an experiment to artificially improve his intelligence. The experiment is successful to some extent, and Charlie's life changes from his intelligence. He becomes aware of how it feels to be smarter than someone else. His new intelligence causes him problems with the people in his life. Eventually his intelligence deteriorates and he returns to his former condition.

As the entire book is written in journal format, this is not a typical novel. Furthermore, surely everyone has wished to become more intelligent, so this novel is appealing in that it explores the possibility of this wish. Seeing the world through the eyes of a mentally disabled person should be enlightening for the students and give them more sympathy and understanding. As Charlie's identity seems to change, this would be an appropriate text for studying identity.


8. Wilder, Thornton. Our Town. New York: Avon, 1975. Print.
This is a rather unique play which takes place in a small, ordinary town in Massachusetts. In the first act we see the everyday lives of the inhabitants. The stage manager who directs play even while participating in it emphasizes the lack of distinction about this town. In the second act, three years later, we see that despite the time progression very little has changed in the town. Two of the characters are going to get married and are intimidated by the change, feeling unprepared. They go through it anyway almost as if it is a fate that they cannot escape. In the third act we see the funeral of the bride taking place nine years later. The recently dead Emily goes back in time to see her twelfth birthday and bemoans how she has squandered the precious time she had while living.

This play uses a lot of simple language, everyday events, a fairly simple plot, and asks questions in a straightforward manner. As such, it is an ideal text for the English language learner because it requires thinking about literature without an overwhelming language hurdle. Furthermore, it can easily be acted out in the classroom because it requires no props and little preparation. Doing so would enhance the English language learner's ability to understand it. The play handles the themes of maturity, love, and time, all of which are frequently found in literature and are thus relevant to its study.

9. Welty, Eudora. "Livvie." The Collected Stories of Eudora Welty. New York: Harcourt Brace Jovanovich, 1980. 228-39. Print.
Livvie is a young black girl who is married and taken away from her home by a much older man named Solomon. Solomon is very strict and does not allow Livvie to do many things, including leave the property. One day while Solomon is sleeping a saleswoman comes to sell cosmetics and entrances Livvie with some purple lipstick. She can't buy the lipstick though because she has no money, so the saleswoman leaves. Livvie goes out for a walk and meets an attractive young man named Cash. She has a feeling that Solomon will die so she runs back to the house and finds him still sleeping. Cash follows her back and then Solomon opens his eyes. He says that Livvie has been hoping for Cash to take her away, and then dies.

One of the central themes of this story is that of confinement, the lack of freedom that Livvie feels. Many students should be able to relate because they might feel that their parents or teachers are restricting them like Solomon does to Livvie. Like many of Eudora Welty's works, “Livvie” contains a rich repository of symbols and deeper meaning. It would be an excellent text to use to learn about symbolism.

10. Frank, Anne, Otto Frank, Mirjam Pressler, and Susan Massotty. The Diary of a Young Girl: The Definitive Edition. New York: Doubleday, 1995. Print.
This well known autobiographical account tells the story of a teenage Jewish girl living in the Netherlands during the second world war. It begins as an ordinary diary of a girl that age talking about her classmates and a boy that she meets. However, the entries soon change dramatically when her father decides that the family should go into hiding. The Frank family goes to live with another family in part of the warehouse where her father used to work. Their lives are quite different as they cannot allow anyone to suspect that this part of the building is occupied. The diary ranges from describing their daily activities and quarrels to later focusing more on struggles with human nature and the character of the author.

 The age of the author is close to that of the students and so they should be able to relate with her coming of age, butting heads with adults, and loneliness. Like many teenagers Anne grapples with issues of identity, but she is also keenly aware of social injustice, specifically discrimination, both of which are valid topics for studies of literature. The book is intensely historical as well, so it would fit into the study of literature around that time period. I hope to use the book to inspire my students to write journals or diaries considering issues that are relevant to them, just as Anne Frank did.